An opening essay by James S. Baumlin entitled “On Moral Criticism: A Feminist Approach to Caring” establishes the umbrella theme for the book, i.e., the need to “do justice to oppressed or marginalized groups.” The following 15 essays may touch on that theme in individual ways.
Four essays fill the Critical Contexts section of the book, and include an examination of historical perspectives, a survey of modern thought on the connections of morality in the narrative art, and more.
The 11 essays in the Critical Readings section offer a diverse array of moral approaches across a spectrum of authors and media…Two essays focus on Shakespeare’s King Lear as it is conveyed in film. Robert C. Evans’ “The Blinding of Gloucester: Trauma and Morality in Some Films of Shakespeare’s King Lear” examines the particularly horrific implications of seeing Gloucester’s vicious blinding on screen. R. Kent Rasmussen later writes of the somewhat overshadowed notion of greed running the length of Mark Twain’s evocative The Adventures of Huckleberry Finn. Susan C. W. Abbotson looks at a number of Arthur Miller’s plays as a study of the playwright memorialized as “the moral voice of [the] American stage.” The works of writers John Steinbeck, Zadie Smith, Anton Chekhov, and Edgar Allen Poe are also studied, while closing essays address the television series Breaking Bad and its complex view of morality and the relationship between morality and the emerging genre of creative nonfiction.
Resources include an excellent piece applying different moralistic approaches to Ben Johnson’s (1572-1637) “On My First Son,” a chronology of key moments in the evolution of moral thought vis-à-vis literature, a list of additional works on the subject, and a glossary.”