Critical Insights: Zora Neale Hurston

Critical Insights Series

The series focuses on an individual author's entire body of work, a single work of literature, or a literary theme.

At a Glance
  • 1 Volume; 300 Pages
  • 10-14 essays offering Current Critical Analysis by Top Literary Scholars
  • Introductory Essay by the Editor
  • Chronology of Author's Life
  • Complete List of Author's Works
  • Publication Dates of Works
  • Detailed Bio of the Editor
  • General Bibliography
  • General Subject Index
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Editor: Sharon Jones, Ph.D., Professor
of English, Wright State University
May 2013 · 1 volume · 300 pages · 6"x9"

Includes Online Database with Print Purchase
ISBN: 978-1-4298-3831-3
# of Pages: 300
# of Volumes: 1
Print List Price: $105
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e-ISBN: 978-1-4298-3847-4
eBook Single User Price: $105

Outstanding, in-depth scholarship by renowned literary critics; great starting point for students seeking an introduction to Zora Neale Hurston and the critical discussions surrounding her works.

Zora Neale Hurston is today recognized as a major contributor to the Harlem Renaissance literature of the 1920s and American modernist literature. Hurston’s most important works, published in the 1930s, emerge from her interest in African American oral and vernacular culture, represented in her most studied publications Mules and Men (1935) and Their Eyes Were Watching God (1937). Hurston's interest in preserving the culture of the black South remains among her most valuable contributions. Not only did she collect and preserve folklore outright, she also used folklore, native drama, and the black idiom and dialect in most of her fiction.

Edited by Sharon L. Jones, Professor of English, Wright State University, this volume in the Critical Insights series presents original essays on Hurston’s major works of fiction as well as explorations of her ethnographic nonfiction and her letters. For readers who are studying Hurston for the first time, a biographical sketch relates the details of her life. Critical Contexts essays survey the critical reception of her work, explore its cultural and historical contexts, situate Hurston among her contemporaries, and review key themes in her work. Critical readings include her texts Seraph on the Suwanee, Mules and Men, Dust on the Tracks of the Road, and her major work, Their Eyes Were Watching God. In addition, essays turn toward works sure to be of interest, including her children’s stories and her correspondence with Langston Hughes.

Rounding out the volume are a chronology of Huston’s life and a list of her principal publications as well as a bibliography for readers seeking to study this fascinating author in greater depth.

Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:

A chronology of the author's life
A complete list of the author's works and their original dates of publication
A general bibliography
A detailed paragraph on the volume's editor
Notes on the individual chapter authors
A subject index