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Brenda Murphy, Board of Trustees Distinguished Professor of English at the University of Connecticut

ISBN: 978-1-58765-628-6
List Price: $85

October 2009 · 1 volume · 320 pages · 6"x 9"

Combines Print & Online Access
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Critical Insights: Table of Contents
Combined contents from the first 20 volumes

DEATH OF A SALESMAN, by Arthur Miller
 About This Volume, by Brenda Murphy

The Play and Author
 On Death of a Salesman, by Brenda Murphy
 Biography of Arthur Miller, by Carl Rollyson
 The Paris Review Perspective, by Elizabeth Gumport

Critical Contexts
 "The Jungle Is Dark and Full of Diamonds": Natural Value and the
Logic of Naturalism in Death of a Salesman, by Jon Dietrick
 Salesman and the 1930's Theatres of Social Protest, by Joshua E. Polster
 King Lear, King Oedipus, and Willy Loman: Tragic Strategies in
Death of a Salesman, by Neil Heims
 Arthur Miller's Death of a Salesman: History of Criticism, by Amy Sickels

Critical Readings
 Focus on Arthur Miller's Death of a Salesman: The Wrong
Dreams, by Chester E. Eisinger
 Family Dreams in Death of a Salesman, by Irving Jacobson
 Women and the American Dream of Death of a Salesman, by Kay Stanton
 "What's the Secret?": Willy Loman as Desiring Machine, by
Granger Babcock
 Shame, Guilt, Empathy, and the Search for Identity in Arthur Miller's
Death of a Salesman, by Fred Ribkoff
 The Ironic Hercules Reference in Death of a Salesman, by
Terry W. Thompson
 Masculine and Feminine in Death of a Salesman, by Heather Cook Callow
 The Psychological Politics of the American Dream:
Death of a Salesman and the Case for an Existential Dialectics,
by Lois Tyson
 Death of a Salesman and the Poetics of Arthur Miller, by
Matthew C. Roudané
 `Death of a Salesman', by Christopher Bigsby

Resources
 Chronology of Arthur Miller's Life
 Works by Arthur Miller
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

DRACULA, by Bram Stoker
 About This Volume, by Jack Lynch

The Book and Author
 On Dracula, by Jack Lynch
 Biography of Bram Stoker, by Richard Means
 The Paris Review Perspective, by Juliet Lapidos

Critical Contexts
 Stoker's Dracula and the Vampire's Literary History, by Bridget M. Marshall
 A Look at the Critical Reception of Dracula, by Camille-Yvette Welsch
 Dracula and Victorian Anxieties, by Matthew J. Bolton
 Modernity and Anxiety in Bram Stoker's Dracula, by Allan Johnson

Critical Readings
 Recreating the World: The Sacred and the Profane in Bram Stoker's
Dracula, by Beth E. McDonald Edwards
 Dracula's Earnestness: Stoker's Debt to Wilde, by Samuel Lyndon Gladden
 Dracula: Righting Old Wrongs and Displacing New Fears, by Jimmie E.
Cain, Jr.
 Vampires, Mummies, and Liberals: Questions of Character and
Modernity, by David Glover
 Feminism, Fiction, and the Utopian Promise of Dracula, by
Nancy Armstrong
 Racialization, Capitalism, and Aesthetics in Stoker's Dracula, by
Patricia McKee

Resources
 Chronology of Bram Stoker's Life
 Works by Bram Stoker
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

GREAT EXPECTATIONS, by Charles Dickens
 About This Volume, by Eugene Goodheart

The Book and Author
 On Great Expectations, by Eugene Goodheart
 Biography of Charles Dickens, by Charles E. May
 The Paris Review Perspective, by Elizabeth Gumport

Critical Contexts
 Great Expectations in Context, by Gurdip Panesar
 The Critical Reception of Great Expectations, by Shanyn Fiske
 From Sham to "Gentle Christian Man" in Great Expectations, by
Mary Ann Tobin

Critical Readings
 Stories Present and Absent in Great Expectations, by Eiichi Hara
 Repetition, Repression, and Return: Great Expectations and the
Study of Plot, by Peter Brooks
 Realism as Self-Forgetfulness: Gender, Ethics, and Great Expectations,
by Caroline Levine
 From Magwitch to Miss Havisham: Narrative Interaction and Mythic
Structure in Charles Dickens's
 Great Expectations, by Calum Kerr
 A Second Level of Symbolism in Great Expectations, by
Elizabeth MacAndrew
 Christian Allusion, Comedic Structure, and the Metaphor of Baptism
in Great Expectations, by John Cunningham
 Memory and Confession in Great Expectations, by Samuel Sipe
 Manual Conduct in Great Expectations, by William A. Cohen
 Gender and Class in Dickens: Making Connections, by Peter Scheckner

Resources
 Chronology of Charles Dickens's Life
 Works by Charles Dickens
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

THE GREAT GATSBY, by F. Scott Fitzgerald
 About This Volume, by Morris Dickstein

The Book and Author
 On The Great Gatsby, by Morris Dickstein
 Biography of F. Scott Fitzgerald, by Michael Adams
 The Paris Review Perspective, by Jascha Hoffman

Critical Contexts
 Gatsby in Context, by Jennifer Banach Palladino
 The Critical Reception of The Great Gatsby, by Amy M. Green
 "The Self-Same Song that Found a Path": Keats and The Great Gatsby, by
Dan McCall
 Paradox, Ambiguity, and the Challenge to Judgment in The Great Gatsby and
Daisy Miller, by Neil Heims
 Babbled Slander Where the Paler Shades Dwell: Reading Race in
The Great Gatsby and Passing, by Charles Lewis
 Introduction to The Great Gatsby, by Ruth Prigozy
 The Great Gatsby: Fitzgerald's Opulent Synthesis (1925), by
Robert Roulston and Helen H. Roulston
 The Craft of Revision: The Great Gatsby, by Kenneth E. Eble

Critical Readings
 "A World Complete In Itself": Gatsby's Elegiac Narration, by Dan Coleman
 "A Fragment of Lost Words:" Narrative Ellipses in The Great Gatsby,
by Matthew J. Bolton
 The Great Gatsby and The Obscene Word, by Barbara Will
 Photography and The Great Gatsby, by Lawrence Jay Dessner
 Color-Symbolism in The Great Gatsby, by Daniel J. Schneider
 "Herstory" and Daisy Buchanan, by Leland S. Person, Jr.

Resources
 Chronology of F. Scott Fitzgerald's Life
 Works by F. Scott Fitzgerald
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

THE HANDMAID'S TALE, by Margaret Atwood
 About This Volume, by J. Brooks Bouson

The Book and Author
 On The Handmaid's Tale, by J. Brooks Bouson
 Biography of Margaret Atwood, by Karen Carmean, Karen F. Stein, and
Earl G. Ingersoll
 The Paris Review Perspective, by Jascha Hoffman

Critical Contexts
 Margaret Atwood's The Handmaid's Tale (1985): Cultural and Historical
Context, by Lisa Jadwin
 Margaret Atwood's The Handmaid's Tale: Critical Reception, by
Dominick Grace
 "This Is the Way the World Ends": Margaret Atwood and the Dystopian
Impulse, by Matthew Bolton
 Feminism and The Handmaid's Tale, by Jennifer E. Dunn

Critical Readings
 The Handmaid's Tale, by Coral Ann Howells
 "Trust Me": Reading the Romance Plot in Margaret Atwood's
The Handmaid's Tale, by Madonne Miner
 "Just a Backlash": Margaret Atwood, Feminism, and The Handmaid's Tale,
by Shirley Neuman
 Alice in Disneyland: Criticism as Commodity in The Handmaid's Tale,
by Chinmoy Banerjee
 Selves, Survival, and Resistance in The Handmaid's Tale, by
Elisabeth Hansot
 "We Lived in the Blank White Spaces": Rewriting the Paradigm of
Denial in Atwood's The
 Handmaid's Tale, by Danita J. Dodson
 Margaret Atwood's The Handmaid's Tale: Resistance Through Narrating,
by Hilde Staels
 A Body in Fragments: Life Before Man and The Handmaid's Tale,
by Eleonora Rao
 Margaret Atwood's The Handmaid's Tale: Scheherazade in Dystopia,
by Karen F. Stein
 The Handmaid's Tale as Scrabble Game, by Joseph Andriano

Resources
 Chronology of Margaret Atwood's Life
 Works by Margaret Atwood
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

I KNOW WHY THE CAGED BIRD SINGS, by Maya Angelou
 About This Volume, by Mildred R. Mickle

The Book and Author
 On I Know Why the Caged Bird Sings, by Mildred R. Mickle
 Biography of Maya Angelou, by Judith Barton Williamson
 The Paris Review Perspective, by Christopher Cox

Critical Contexts
 I Know Why the Caged Bird Sings: African American Literary Tradition
and the Civil Rights Era, by Amy Sickels
 The Critical Reception of I Know Why the Caged Bird Sings, by
Pamela Loos
 The Matter of Identity in Maya Angelou's I Know Why the Caged Bird Sings
and James Baldwin's If Beale Street Could Talk, by Neil Heims
 "The Only Teacher I Remembered": Schools, Schooling, and Education
in Maya Angelou's I Know
 Why the Caged Bird Sings, by Robert C. Evans

Critical Readings
 Death as Metaphor of Self in I Know Why the Caged Bird Sings, by
Liliane K. Arensberg
 Breaking the Silence: Symbolic Violence and the Teaching of
Contemporary "Ethnic"
 Autobiography, by Martin A. Danahay
 Reembodying the Self: Representations of Rape in Incidents in the
Life of a Slave Girl and I Know Why the Caged Bird Sings,
by Mary Vermillion
 I Know Why the Caged Bird Sings: "Childhood Revisited", by
Lyman B. Hagen
 Racial Protest, Identity, Words, and Form, by Pierre A. Walker
 "What You Looking at Me For? I Didn't Come to Stay": Displacement,
Disruption, and Black Female Subjectivity in Maya Angelou's I Know
Why the Caged Bird Sings, by Yolanda M. Manora
 Role-Playing as Art in Maya Angelou's Caged Bird, by Myra K. McMurry
 Singin' de Blues, Writing Black Female Survival in I Know Why the
Caged Bird Sings, by Cherron A. Barnwell
 A Discursive Trifecta: Community, Education, and Language in I Know
Why the Caged Bird Sings, by Clarence Nero
 Maya Angelou's Caged Bird as Trauma Narrative, by Suzette A. Henke

Resources
 Chronology of Maya Angelou's Life
 Works by Maya Angelou
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

THE JOY LUCK CLUB, by Amy Tan
 About This Volume, by Robert C. Evans

The Book and Author
 On The Joy Luck Club, by Robert C. Evans
 Biography of Amy Tan, by Joanne McCarthy
 The Paris Review Perspective, by Karl Taro Greenfeld

Critical Contexts
 Amy Tan: A Look at the Critical Reception, by Camille-Yvette Welsch
 The Joy Luck Club: Cultural and Historical Contexts, by Robert C. Evans
 The Structure of The Joy Luck Club: Themes and Variations, by
Doris L. Eder
 The Interplay of Unity and Diversity in The Joy Luck Club and The Hours,
by Neil Heims

Critical Readings

 Amy Tan: An Interview, by Barbara Somogyi and David Stanton
 Memory and the Ethnic Self: Reading Amy Tan's The Joy Luck Club,
by Ben Xu
 "Only Two Kinds of Daughters": Inter-Monologue Dialogicity in
The Joy Luck Club, by Stephen Souris
 Mothers and Daughters, by Esther Mikyung Ghymn
 Voice, Mind, Self: Mother-Daughter Relationships in Amy Tan's
The Joy Luck Club and The Kitchen God's Wife, by M. Marie Booth Foster
 Feng Shui, Astrology, and the Five Elements: Traditional Chinese
Belief in Amy Tan's The Joy Luck Club, by Patricia L. Hamilton
 "That Was China, That Was Their Fate": Ethnicity and Agency in
The Joy Luck Club, by Patricia P. Chu
 Narrative Beginnings in Amy Tan's The Joy Luck Club: A Feminist Study,
by Catherine Romagnolo
 The Joy Luck Club After Twenty Years: An Interview with Amy Tan,
by Robert C. Evans

Resources
 Chronology of Amy Tan's Life
 Works by Amy Tan
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

A STREETCAR NAMED DESIRE, by Tennessee Williams
 About This Volume, by Brenda Murphy

The Play and Author
 On A Streetcar Named Desire, by Brenda Murphy
 Biography of Tennessee Williams, by Robert J. Forman
 The Paris Review Perspective, by Catherine Steindler

Critical Contexts

 World War II, Sex, and Displacement in A Streetcar Named Desire,
by Camille-Yvette Welsch
 Uncommon Tragic Protagonists: Blanche DuBois and Willy Loman,
by Kenneth Elliott
 A Room That I Thought Was Empty: The Representation of Repression in
A Streetcar Named Desire, by Neil Heims
 A Streetcar Named Desire: A Consideration of Select Criticism,
by Janyce Marson

Critical Readings
 Desire, Death, and Laughter: Tragicomic Dramaturgy in A Streetcar
Named Desire, by Verna Foster
 Tragedy as Habit: A Streetcar Named Desire, by Britton J. Harwood
 "Stanley Made Love to Her!—by Force!" Blanche and the Evolution
of a Rape, by John S. Bak
 No Past to Think In: Who Wins in A Streetcar Named Desire?,
by Dan Isaac
 Is There a Gay Man in This Text? Subverting the Closet in A Streetcar
Named Desire, by Dean Shackelford
 A Streetcar Named Desire: Spatial Violation and Sexual Violence,
by Anne Fleche
 The Artful Rerouting of A Streetcar Named Desire, by Linda
Costanzo Cahir
 Stanley Kowalski's Not So Secret Sorrow: Queering, De-Queering,
and Re-Queering A Streetcar Named Desire as Drama, Script,
Film, and Opera, by Keith Dorwick
 "Tiger—Tiger!" Blanche's Rape on Screen, by Nancy M. Tischler

Resources
 Chronology of Tennessee Williams's Life
 Works by Tennessee Williams
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

THE TALES OF EDGAR ALLAN POE
 About This Volume, by Steven Frye

The Tales and Their Author
 On Poe's Tales, by Steven Frye
 Biography of Edgar Allan Poe, by Charles E. May
 The Paris Review Perspective, by Nathaniel Rich

Critical Contexts
 A Debt Owed, a Debt Paid: Poe's Literary Cultural Heritage,
by Jeff Grieneisen and Courtney Ruffner
 Introduction to Poe Criticism, by Susan Amper
 "Hypocrite Lecteur": The Reader as Accomplice in Poe's Short Stories,
by Matthew Bolton
 Edgar Allan Poe's Fantastic Short Stories, by Santiago
Rodríguez Guerrero-Strachan

Critical Readings
 Irresistible Impulses: Edgar Allan Poe and the Insanity Defense,
by John Cleman
 The Limits of Reason: Poe's Deluded Detectives, by J. Gerald Kennedy
 What Happens in "The Fall of the House of Usher"?, by J. O. Bailey
 Poe and the Powers of the Mind, by Robert Shulman
 The Motive for Murder in "The Cask of Amontillado" by Edgar Allan Poe,
by Elena V. Baraban
 The Problem of Realism in "The Gold Bug", by J. Woodrow Hassell, Jr.
 The Self-Consuming Narrator in Poe's "Ligeia" and "Usher", by
Ronald Bieganowski
 Poe's Re-Vision: The Recovery of the Second Story, by Cynthia S. Jordan
 Absolute Poe: His System of Transcendental Racism, by Maurice S. Lee

Resources
 Chronology of Edgar Allan Poe's Life
 Works by Edgar Allan Poe
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

TO KILL A MOCKINGBIRD, by Harper Lee
 About This Volume, by Don Noble

The Book and Author
 On To Kill a Mockingbird, by Don Noble
 Biography of Harper Lee, by Edythe M. McGovern
 The Paris Review Perspective, by Sasha Weiss

Critical Contexts
 To Kill a Mockingbird: Successes and Myths, by Nancy Grisham Anderson
 Mockingbird in Context, by Gurdip Panesar
 "Were You Ever a Turtle?": To Kill a Mockingbird—Casting the Self as the Other, by Neil Heims
 To Kill a Mockingbird as an Introduction to Faulkner, by Matthew J. Bolton

Critical Readings
 The Rise and Fall of Atticus Finch, by Christopher Metress
 Lawyers, Ethics, and To Kill a Mockingbird, by Tim Dare
 Growing Up Good in Maycomb, by Thomas L. Shaffer
 Atticus Finch and the Mad Dog: Harper Lee's To Kill a Mockingbird,
by Carolyn Jones
 The Margins of Maycomb: A Rereading of To Kill a Mockingbird, by
Teresa Godwin Phelps
 "Fine Fancy Gentlemen" and "Yappy Folk": Contending Voices in
To Kill a Mockingbird, by Theodor R. Hovet and Grace-Ann Hovet
 Telling It in Black and White: The Importance of the Africanist Presence in To Kill a Mockingbird, by Diann L. Baecker
 The Female Voice in To Kill a Mockingbird: Narrative Strategies in Film and Novel, by Dean Shackelford
 "When You Finally See Them": The Unconquered Eye in To Kill a Mockingbird, by Laurie Champion
 Harper Lee and the Destabilization of Heterosexuality, by Gary Richards

Resources
 Chronology of Harper Lee's Life
 Works by Harper Lee
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

JANE AUSTEN
 About This Volume, by Jack Lynch

Career, Life, and Influence
 On Jane Austen, by Jack Lynch
 Biography of Jane Austen, by Rosemary M. Canfield Reisman
 The Paris Review Perspective, by Radhika Jones

Critical Contexts
 Jane Austen: A Cultural and Historical Context, by Neil Heims
 Jane Austen: The Critical Reception, by Bonnie Blackwell
 Pride, Prejudice, and Persuasion: A Comparison of Two Novels by Jane Austen, by Dominick Grace

Critical Readings
 Emma, by Bernard J. Paris
 Jane Austen and Female Reading, by Robert W. Uphaus
 Why There's No Sex in Jane Austen's Fiction, by Susan Morgan
 Liberty, Connection, and Tyranny: The Novels of Jane Austen
and the Aesthetic Movement of the
 Picturesque, by Jill Heydt-Stevenson
 Of Woman Borne: Male Experience and Feminine Truth in Jane
Austen's Novels, by Sarah R. Morrison
 Rank and Status, by Christopher Brooke
 Early Phase Versus Major Phase: The Changing Feelings of the Mind,
by William Deresiewicz
 Conjecturing Possibilities: Reading and Misreading Texts in Jane
Austen's Pride and Prejudice, by Felicia Bonaparte
 Pride and Prejudice and the Beauty of Justice, by Sarah Emsley

Resources
 Chronology of Jane Austen's Life
 Works by Jane Austen
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

GWENDOLYN BROOKS
 About This Volume, by Mildred R. Mickle

Career, Life, and Influence
 On Gwendolyn Brooks, by Mildred R. Mickle
 Biography of Gwendolyn Brooks, by Charles M. Israel and William T. Lawlor
 The Paris Review Perspective, by Jascha Hoffman

Critical Contexts
 The Historical and Social Context of Gwendolyn Brooks's Poetry,
by Kathy Rugoff
 The Critical Reception and Influence of Gwendolyn Brooks, by Martin Kich
 Gwendolyn Brooks and the Epic Tradition, by Matthew Bolton
 Close Reading as an Approach to Gwendolyn Brooks's
"The Chicago Defender Sends a Man to Little Rock", by Robert C. Evans

Critical Readings
 Sweet Bombs, by Danielle Chapman
 The Satisfactions of What's Difficult in Gwendolyn Brooks's Poetry,
by Brooke Kenton Horvath
 Double Consciousness, Modernism, and Womanist Themes in
Gwendolyn Brooks's "The Anniad", by A.Yemisi Jimoh
 Heralding the Clear Obscure: Gwendolyn Brooks and Apostrophe,
by Lesley Wheeler
 Dialectics of Desire: War and the Resistive Voice in Gwendolyn
Brooks's "Negro Hero" and "Gay Chaps at the Bar", by Ann Folwell Stanford
 "A Material Collapse That Is Construction": History and Counter-Memory
in Gwendolyn Brooks's In the Mecca, by John Lowney
 A Prophet Overheard: A Juxtapositional Reading of Gwendolyn Brooks's
"In the Mecca", by Sheila Hassell Hughes
 "My Newish Voice": Rethinking Black Power in Gwendolyn Brooks's
Whirlwind, by Raymond Malewitz
 Signifying Afrika: Gwendolyn Brooks's Later Poetry, by
Annette Debo
 Reflecting Violence in the Warpland: Gwendolyn Brooks's Riot, by
Annette Debo
 Killing John Cabot and Publishing Black: Gwendolyn Brooks's Riot, by
James D. Sullivan
 "The Kindergarten of New Consciousness": Gwendolyn Brooks
and the Social Construction of Childhood, by Richard Flynn

Resources
 Chronology of Gwendolyn Brooks's Life
 Works by Gwendolyn Brooks
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

T. S. ELIOT
 About this Volume, by John Paul Riquelme

Career, Life, and Influence
 On T. S. Eliot, by John Paul Riquelme
 Biography of T. S. Eliot, by R. Baird Shuman
 The Paris Review Perspective, by Gemma Sieff

Critical Contexts
 Cultural Contexts, by Neil Heims
 Critical Reception and Influence, by John Paul Riquelme
 T. S. Eliot and Robert Browning's Dramatic Monologues, by
Matthew J. Bolton
 Voices and Language in T. S. Eliot's The Waste Land, by Allan Johnson

Critical Readings
 Eliot as Critic
 "Poetry as Poetry", by Louis Menand
 Eliot as Poet
 Playing at Relationship, by John T. Mayer
 "Prufrock," "Gerontion," and Fragmented Monologues, by
John Paul Riquelme
 "Unknown terror and mystery": The Waste Land, by Ronald Bush
 `The World Within the World': Ash-Wednesday and the `Ariel Poems',
by Nancy K. Gish
 The Soul's Mysterious Errand, by Lee Oser
 Eliot as Dramatist
 Fear in the Way: The Design of Eliot's Drama, by Michael Goldman

Resources
 Chronology of T. S. Eliot's Life
 Works by T. S. Eliot
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

BENJAMIN FRANKLIN
 About this Volume, by Jack Lynch

Career, Life, and Influence
 On Benjamin Franklin, by Jack Lynch
 Biography of Benjamin Franklin, by Clark Davis
 The Paris Review Perspective, by Bradley Bazzle

Critical Contexts
 Benjamin Franklin: A Cultural Context, by Neil Heims
 Benjamin Franklin: The Critical Reception, by Gurdip Panesar
 Franklin as Father: Didactic Discourse in The Autobiography, by
Maura Grace Harrington
 Ben Franklin and the Lost Generation: The Self-Made Man in
Fitzgerald, Hemingway, and Wright, by Matthew Bolton

Critical Readings
 Medical Electricity and Madness in the Eighteenth Century: The
Legacies of Benjamin Franklin and
 Jan Ingenhousz, by Sherry Ann Beaudreau and Stanley Finger
 Franklin and the Revolutionary Body, by Betsy Erkkila
 Feeling or Fooling in Benjamin Franklin's "The Elysian Fields", by
A. Owen Aldridge
 Benjamin Franklin's Autobiography and the Credibility of Personality,
by Jennifer Jordan Baker
 Death Effects: Revisiting the Conceit of Franklin's Memoir, by
Jennifer T. Kennedy
 Two Texts Told Twice: Poor Richard, Pastor Yorick, and the Case
of the Word's Return, by Christina Lupton
 The Moral Reform of a Scurrilous Press, by Ralph Frasca

Resources
 Chronology of Benjamin Franklin's Life
 Works by Benjamin Franklin
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

ROBERT FROST
 About this Volume, by Morris Dickstein

Career, Life, and Influence
 On Robert Frost, by Morris Dickstein
 Biography of Robert Frost, by James Norman O'Neill
 The Paris Review Perspective, by Elizabeth Gumport

Critical Contexts

 Robert Frost, T. S. Eliot, and Modernist Poetics, by Matthew J. Bolton
 Robert Frost: A Look at the Critical Reception, by Janyce Marson
 Technology, Labor, and the Sacred: the Cultural Context of Robert
Frost, by Jamey Hecht
 The Paradoxes of Robert Frost: A Meditation on `Discordant
Elements', by Anastasia Vahaviolos Valassis

Critical Readings

 Frost's North of Boston, Its Language, Its People, and Its Poet, by
David Sanders
 Robert Frost and the Politics of Labor, by Tyler B. Hoffman
 Robert Frost: The Walk as Parable, by Roger Gilbert
 Nature and Poetry, by Judith Oster
 The Resentments of Robert Frost, by Frank Lentricchia
 We Are Sick with Space, by Robert Bernard Hass
 The Need of Being Versed: Robert Frost and the Limits of Rhetoric,
by Shira Wolosky
 National Forgetting and Remembering in the Poetry of Robert Frost,
by Jeff Westover
 Robert Frost, by Denis Donoghue

Resources
 Chronology of Robert Frost's Life
 Works by Robert Frost
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

GABRIEL GARCÍA MÁRQUEZ
 About This Volume, by Ilan Stavans

Career, Life, and Influence
 On Gabriel García Márquez, by Ilan Stavans
 Biography of Gabriel García Márquez, by Roy Arthur Swanson
 The Paris Review Perspective, by Caitlin Roper

Critical Contexts
 Gabriel García Márquez: Cultural and Historical Contexts, by Amy Sickels
 The Master of Aracataca, by Ilan Stavans
 Remedios the Child Bride: The Forgotten Buendía, by Amy M. Green
 García Márquez's Investigation of Cold War Soviet Europe: Its Cervantine Invocation, by John
 Cussen

Critical Readings
 The Master of Short Forms, by Gene H. Bell-Villada
 Magic Realism and García Márquez's Eréndira, by Moylan C. Mills
and Enrique Grönlund
 "The Paralysis of the Instant": The Stagnation of History and the
Stylistic Suspension of Time in
 Gabriel García Márquez's La hojarasca, by Deborah Cohn
 A "Gyrating Wheel", by Rosa Simas
 The Dark Side of Magical Realism: Science, Oppression, and
Apocalypse in One Hundred Years of Solitude, by Brian Conniff
 Superstition, Irony, Themes, by Stephen M. Hart
 Intertextualities: Three Metamorphoses of Myth in The Autumn
of the Patriarch, by Michael Palencia-Roth
 Biblical Justice and the Military Hero in Two Novels of Gabriel
García Márquez, by Lourdes Elena Morales-Gudmundsson
 The Dangers of Gullible Reading: Narrative as Seduction in
García Márquez's Love in the Time of Cholera, by M. Keith Booker
 Lessons from the Golden Age in Gabriel García Márquez's Living
to Tell the Tale, by Efraín Kristal

Resources

 Chronology of Gabriel García Márquez's Life
 Works by Gabriel García Márquez
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

NATHANIEL HAWTHORNE
 About this Volume, by Jack Lynch

Career, Life, and Influence
 On Nathaniel Hawthorne, by Jack Lynch
 Biography of Nathaniel Hawthorne, by Frank Day
 The Paris Review Perspective, by Elaine Blair

Critical Contexts
 Nathaniel Hawthorne and the Canon of American Literature, by
Bridget M. Marshall
 Nathaniel Hawthorne's Critical Reception, by Matthew Bolton
 The Burden of Secret Sin: Nathaniel Hawthorne's Fiction, by
Margarita Georgieva
 Nathaniel Hawthorne and American Romanticism, by Jennifer
Banach Palladino

Critical Readings
 The Scarlet Letter, by Hugo McPherson
 Chiefly about Coverdale: The Blithedale Romance, by Clark Davis
 Re-figuring Revelations: Nathaniel Hawthorne's The Scarlet Letter,
by Evans Lansing Smith
 Hawthorne as Essayist: Our Old Home and "Chiefly About War Matters",
by Thomas R. Moore
 "A Small Heap of Glittering Fragments": Hawthorne's Discontent with
the Short Story Form, by Kathryn B. McKee
 Hawthorne and Nineteenth-Century Perfectionism, by Claudia D. Johnson
 Progress and Providence in The House of the Seven Gables, by John
Gatta, Jr.
 Narrative Techniques and the Oral Tradition in The Scarlet Letter, by
John G. Bayer
 Hawthorne and the Sublime, by Leo B. Levy
 Hawthorne, the Fall, and the Psychology of Maturity, by Melvin W. Askew
 Nathaniel Hawthorne and His Mother: A Biographical Speculation,
by Nina Baym
 Agnostic Tensions in Hawthorne's Short Stories, by Bill Christophersen

Resources
 Chronology of Nathaniel Hawthorne's Life
 Works by Nathaniel Hawthorne
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

ERNEST HEMINGWAY
 About This Volume, by Eugene Goodheart

Career, Life, and Influence
 On Ernest Hemingway, by Eugene Goodheart
 Biography of Ernest Hemingway, by R. Baird Shuman
 The Paris Review Perspective, by Petrina Crockford

Critical Contexts
 Ernest Hemingway: A Cultural and Historical Context, by Jennifer Banach
Palladino
 In His Time (and Later): Ernest Hemingway's Critical Reputation, by
Robert C. Evans
 Toward a Definition of the Hemingwayesque and the Faulknerian,
by Matthew Bolton

Critical Readings
 The First Forty-five Stories, by Carlos Baker
 The Personal Stories: Paris and Provence, 1926-1927, by Hilary K. Justice
 Recurrence in Hemingway and Cézanne, by Ron Berman
 The Scapegoat, the Bankrupt, and the Bullfighter: Shadows of a Lost
Man in The Sun Also Rises, by Neil Heims
 "Sign the Wire with Love": The Morality of Surplus in The Sun Also Rises,
by George Cheatham
 Frederic Henry's Escape and the Pose of Passivity, by Scott Donaldson
 Three Wounded Warriors, by Mark Spilka
 Invalid Masculinity: Silence, Hospitals, and Anesthesia in A Farewell
to Arms, by Diane Price Herndl
 "Everything Completely Knit Up": Seeing For Whom the Bell Tolls Whole,
by A. Robert Lee
 Cultural Imperialism, Afro-Cuban Religion, and Santiago's Failure
in Hemingway's The Old Man and the Sea, by Philip Melling
 The Importance of Being Ernest, by Louis A. Renza

Resources

 Chronology of Ernest Hemingway's Life
 Works by Ernest Hemingway
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

BARBARA KINGSOLVER
 About this Volume, by Thomas Austenfeld

Career, Life, and Influence
 On Barbara Kingsolver, by Thomas Austenfeld
 Biography of Barbara Kingsolver, by Marilyn Kongslie and Karen L. Arnold
 The Paris Review Perspective, by Katherine Ryder

Critical Contexts
 The Political Is Personal: Sociocultural Realities and the Writings of
Barbara Kingsolver, by John Nizalowski
 Barbara Kingsolver and the Critics, by Rosemary Canfield Reisman
 The Gothic and the Ethnic in Barbara Kingsolver's The Bean Trees,
by Matthew Bolton
 Cultivating our Bioregional Roots: An Ecofeminist Exploration of Barbara
Kingsolver's Prodigal Summer, by Christine M. Battista

Critical Readings
 Gardens of Auto Parts: Kingsolver's Merger of American Western
Myth and Native American Myth in The Bean Trees, by Catherine Himmelwright
 The Loner and the Matriarchal Community in Barbara Kingsolver's The
Bean Trees and Pigs in Heaven, by Loretta Martin Murrey
 Trauma and Memory in Kingsolver's Animal Dreams, by Sheryl Stevenson
 Exploring the Matrix of Identity in Barbara Kingsolver's Animal Dreams,
by Lee Ann De Reus
 Luna Moths, Coyotes, Sugar Skulls: The Fiction of Barbara Kingsolver,
by Amanda Cockrell
 The Missionary Position: Barbara Kingsolver's The Poisonwood Bible,
by Elaine R. Ognibene
 The Neodomestic American Novel: The Politics of Home in Barbara
Kingsolver's The Poisonwood Bible, by Kristin J. Jacobson
 The Revelatory Narrative Circle in Barbara Kingsolver's The
Poisonwood Bible, by Anne Marie Austenfeld
 Barbara Kingsolver and Keri Hulme: Disability, Family, and Culture,
by Stephen D. Fox
 The Southern Family Farm as Endangered Species: Possibilities for
Survival in Barbara Kingsolver's Prodigal Summer, by Suzanne W. Jones

Resources
 Chronology of Barbara Kingsolver's Life
 Works by Barbara Kingsolver
 Bibliography
 About the Editor
 About The Paris Review
 Contributors
 Acknowledgments
 Index

TONI MORRISON
 About This Volume, by Solomon O. Iyasere and Marla W. Iyasere

Career, Life, and Influence
 On Toni Morrison, by Solomon O. Iyasere and Marla W. Iyasere
 Biography of Toni Morrison, by Kwame S. N. Dawes
 The Paris Review Perspective, by Sasha Weiss

Critical Contexts
 Toni Morrison: Solo Flight Through Literature into History, by
Trudier Harris
 A Context for Understanding Morrison's Work, by Susan R. Bowers
 The Critical Reception of Toni Morrison's Work, by Jennifer E. Dunn

Critical Readings
 Morrison's Novels as Texts, Not Works, by Philip Page
 Song of Solomon, by Karen Carmean
 Crying, Dancing, Laughing: The Breaking and Reunification of Community
in Beloved, by Amy M. Green
 Built on the Ashes: The Fall of the House of Sutpen and the Rise
of the House of Sethe, by Michael Hogan
 Refiguring the Flesh: The Word, the Body, and the Rituals of
Being in Beloved and Go Tell It on the
 Mountain, by Carol E. Henderson
 The Projection of the Beast: Subverting Mythologies in Toni Morrison's
Jazz, by Darryl Dickson-Carr
 In Search of New Subjectivity: Identity in the Novels of Toni Morrison,
by Rossitsa Terzieva-Artemis
 Prospero's Spell and the Question of Resistance: Tar Baby, by
Gurleen Grewal
 Periodizing Toni Morrison's Work from The Bluest Eye to Jazz:
The Importance of Tar Baby, by Malin Walther Pereira
 "I Been Worried Sick About You Too, Macon": Toni Morrison, the South,
and the Oral Tradition, by Yvonne Atkinson and Philip Page
 "Killing the White Girl First": Understanding the Politics of Black Manhood
in Toni Morrison's Paradise, by David Ikard
 A Laying on of Hands: Toni Morrison and the Materiality of Love, by
Anissa Janine Wardi

Resources
 Chronology of Toni Morrison's Life
 Works by Toni Morrison
 Bibliography
 About the Editors
 About The Paris Review
 Contributors
 Acknowledgments
 Index
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